Margaret Wenig
"God is a Woman 
and She is Growing Older"
 
Program #4025
First air date February 23, 1997

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Biography
For more than a decade, Rabbi Margaret Moers Wenig has served the Jewish people and the Jewish Reform movement as Rabbi of Beth Am, The People's Temple, in New York City, a once-dwindling congregation that now flourishes under her spiritual leadership. Rabbi Wenig is an expert preacher and serves as Instructor in Homiletics at the Hebrew Union College-Jewish Institute of Religion. She is widely published and is a frequent guest preacher and lecturer for audiences across the country. [Biographical information is correct as of the broadcast date noted above.]

"God is a Woman and She is Growing Older" 
"Turn us, O God, back to You and we shall return."

Who or what is God? Where shall we look for God's presence? Our sages and philosophers are by no means unanimous in their response. But they do concur on one matter: who or what God truly is ultimately unknowable. God is The Hidden One, the one who conceals His face, the Infinite, Unmeasurable One—unknowable, unfathomable, indescribable.

Yet, these same sages also dare to try to capture our people's experience of God in images we do know, and can comprehend. Mystics went as far as to sketch God's form: the primordial man. Each of God's attributes were associated with a specific part of His body. Biblical commentaries gave us images of God weeping at the sight of Egyptians drowning; bound in chains forced into exile with His people. Liturgy shows us God as an immovable Rock; as a shield; as the commander of a host of angels; as a shepherd; and on the Days of Awe, the prayer book focuses upon the images of God as father and as King.

All of these images are metaphors or allusions—never meant to be taken literally, merely meant to point us toward something we can imagine but never really see.

Today I invite you to imagine God along with me. I invite you to imagine God as a woman, a woman who is growing older.

God is a woman and she is growing older1. She moves more slowly now. She cannot stand erect. Her face is lined. Her voice is scratchy. Sometimes she has to strain to hear. God is a woman and she is growing older; yet, she remembers everything.

On Rosh Hashanah, the anniversary of the day on which she gave us birth, God sits down at her kitchen table, opens the Book of Memories2, and begins turning the pages; and God remembers.

"There, there is the world when it was new and my children when they were young." As she turns each page she smiles, seeing before her, like so many dolls in a department store window, all the beautiful colors of our skin, all the varied shapes and sizes of our bodies. She marvels at our accomplishments: the music we have written, the gardens we have planted, the stories we have told, the ideas we have spun.

"They now can fly faster than the winds I send," she says to herself, "and they sail across the waters which I gathered into seas. They even visit the moon which I set in the sky. But they rarely visit me." There pasted into the pages of her book are all the cards we have ever sent to her when we did not bother to visit. She notices our signatures3 scrawled beneath the printed words someone else has composed.

 

Then there are the pages she would rather skip. Things she wishes she could forget. But they stare her in the face and she cannot help but remember: her children spoiling the home she created for us, brothers putting each other in chains. She remembers seeing us racing down dangerous roads—herself unable to stop us. She remembers the dreams she had for us—dreams we never fulfilled. And she remembers the names, so many names, inscribed in the book, names of all the children she has lost through war and famine, earthquake and accident, disease and suicide4. And God remembers the many times she sat by a bedside5 weeping that she could not halt the process she herself set into motion. On Yom Kippur, God lights candles6, one for each of her children, millions of candles lighting up the night making it bright as day.7 God stays awake all night8 turning the pages of her book.

God is lonely, longing for her children, her playful ones. Her body aches for us9. All that dwells on earth does perish. But God endures10, so she suffers the sadness of loosing all that she holds dear.

God is home, turning the pages of her book. "Come home," she wants to say to us, "Come home." But she won't call. For she is afraid that we will say, "No." She can anticipate the conversation: "We are so busy. We'd love to see you but we just can't come. Too much to do."

Even if we don't realize it, God knows that our busyness is just an excuse. She knows that we avoid returning to her because we don't want to look into her age-worn face. It is hard for us to face a god who disappointed our childhood expectations: She did not give us everything we wanted. She did not make us triumphant in battle, successful in business and invincible to pain. We avoid going home to protect ourselves from our disappointment and to protect her. We don't want her to see the disappointment in our eyes. Yet, God knows that it is there and she would have us come home anyway.

What if we did? What if we did go home and visit God? What might it be like?

God would usher us into her kitchen11, seat us at her table and pour two cups of tea. She has been alone so long that there is much she wants to say. But we barely allow her to get a word in edgewise, for we are afraid of what she might say and we are afraid of silence. So we fill an hour with our chatter, words, words, so many words. Until, finally, she touches her finger to her lips and says, "Shh. Sha. Be still."

Then she pushes back her chair and says, "Let me have a good look at you." And she looks. And in a single glance, God sees us as both newly born and dying: coughing and crying, turning our head to root for her breast, fearful of the unknown realm which lies ahead.

In a single glance she sees our birth and our death and all the years in between. She sees us as we were when we were young: when we idolized her and trustingly followed her anywhere12; when our scrapes and bruises healed quickly, when we were filled with wonder at all things new. She sees us when we were young, when we thought that there was nothing we could not do.

She sees our middle years too: when our energy was unlimited. When we kept house, cooked and cleaned, cared for children, worked, and volunteered—when everyone needed us and we had no time for sleep.

And God sees us in our later years: when we no longer felt so needed; when chaos disrupted the bodily rhythms we had learned to rely upon. She sees us sleeping alone in a room which once slept two.

God sees things about us we have forgotten and things we do not yet know. For naught is hidden from God's sight.

When she is finished looking at us, God might say, "So tell me, how are you?" Now we are afraid to open our mouths13 and tell her everything she already knows14: whom we love; where we hurt; what we have broken or lost; what we wanted to be when we grew up.

So we change the subject. "Remember the time when... "

"Yes, I remember," she says. Suddenly we are both talking at the same time; saying all the things the greeting cards never said:

"I'm sorry that I..."

"That's alright, I forgive you."

"I didn't mean to..."

"I know that. I do."

We look away. "I never felt I could live up to your expectations."

"I always believed you could do anything," she answers.

"What about your future?," she asks us. We do not want to face our future. God hears our reluctance, and she understands.

After many hours of drinking tea, when at last there are no more words, God begins to hum, "Aiyiyi-yi-yi, yiyiyi-yi-yi-yi, yiyiyi-yi-yi-yi15."

And we are transported back to a time when our fever wouldn't break and we couldn't sleep, exhausted from crying but unable to stop. She picked us up and held us against her bosom and supported our head in the palm of her hands and walked with us. We could feel her heart beating and hear the hum from her throat, "Ah ah baby, ah ah baby, aiyiyi-yi-yi, yiyiyi-yi-yi-yi, yiyiyi-yi-yi-yi."

Ah, yes, that's where we learned to wipe the tears16. It was from her we learned how to comfort a crying child, how to hold someone in pain.

Then God reaches out and touches our arm, bringing us back to the present and to the future. "You will always be my child," she says, "but you are no longer a child. Grow old along with me...the last of life for which the first was made17."

We are growing older as God is growing older. How much like her we have become.

For us, as well as for God, growing older means facing death. Of course, God will never die but she has buried more dear ones than we shall ever love. In God we see, 'tis a holy thing to love what death can touch18. Like her, we may be holy19, loving what death can touch, including ourselves, our own aging selves.

God holds our face in her two hands and whispers, "Do not be afraid20, I will be faithful to the promise I made to you when you were young21. I will be with you. Even to your old age I will be with you. When you are grey headed still I will hold you. I gave birth to you, I carried you. I will hold you still22. Grow old along with me...."

Our fear of the future is tempered now by curiosity. The universe is infinite. Unlimited possibilities are arrayed before us still. We can awaken each morning to wonder: What shall I learn today? What can I create today? What will I notice that I have never seen before?

It has been a good visit. Before we leave, it is our turn to take a good look at Her. The face which time has marked looks not frail to us now—but wise. For we understand that God knows those things only the passage of time can teach: that one can survive the loss of a love; that one can feel secure even in the midst of an ever changing world23; that there is dignity in being alive even when every bone aches. God's movements seem not slow to us—but strong and intent, unlike our own. For we are too busy to see beneath the surface. We speak too rapidly to truly listen, and we move too quickly to feel what we touch. We form opinions too fast to judge honestly. While God, God moves slowly and with intention. She sees everything there is to see, understands everything She hears, and touches all that lives.

Ahh, that is why we were created to grow older: each added day of life, each new year make us more like God who is ever growing older. That must be the reason we are instructed to rise before the aged and see the grandeur in the faces of the old24. We rise in their presence as we would rise in the presence of God, for in the faces of the old we see God's face.

This aging woman looks to us now like... like... a queen: her chair a throne, her house dress an ermine robe and her thinning hair25, shining like jewels on a crown.

How often do we sit in the house of prayer, far from home; holding in our hands pages of greeting cards bound together like a book, hundreds of words we ourselves have not written. Will we merely place our signatures at the bottom and drop the cards in the mail?

God would prefer that we come home. She is waiting for us, ever patiently until we are ready. God will not sleep. She will leave the door open and the candles burning waiting patiently for us to come home.

Perhaps one day...perhaps one day we will be able to look into God's aging face and say, "Avinu Malkeinu, our Mother, our Queen, we have come home."

Interview with Margaret Wenig
Interviewed by Lydia Talbot

Lydia Talbot: Rabbi Wenig, you convey, in your earlier message, the image of God as a somewhat stoic, yet nurturing, ever-present mother who seems to endure and suffer the loss of her wayward children. What inspired you to develop that imagery of God?

Margaret Wenig: The images really come from two sources: from real women that I have known, but also from the Bible and Rabbinic literature and the liturgy. I spent one season preparing for Rosh Hashanah reading the four hundred pages of our high holiday prayer book in search of images of God, and the sermon that you heard is almost a string of quotations from the liturgy which itself is quoting from the Bible.

Talbot: Now, in it's original form, your message was dedicated to the three women who helped raise you. Who were they?

Wenig: My mother, Mary Moers Wenig; Molly Lane, who was a caretaker who raised me and my brother and began to raise my own daughter until Molly died of cancer; and my grandmother, Anna Wenig.

Talbot: But you say your father was not just a secular Jew, but he was anti-religious.

Wenig: Yes, I come from an anti-religious family.

Talbot: So how was it that you decided to go into this kind of ministry? You said you were fourteen when you decided to become a rabbi.

Wenig: I was fourteen. I had, let's say, spiritual yearnings probably from the time I was a child. I didn't have the opportunity to act on them until I had some independence as a teenager. Who knows, maybe it was fueled by adolescent rebellion, but I don't think it could only be adolescent rebellion, otherwise it wouldn't have stuck this long.

Talbot: Now, in your homiletics class, what's been the reaction by your students to the feminine spirituality that you convey?

Wenig: It's very well received and others are trying to express similar things. It's not radical. Where I'm from, it's not radical anymore.

Talbot: Well, we're talking about an inclusively here, but any women listening who have mothers that are aging certainly must feel the connectedness.

Wenig: Not only women. I would say as many men have been affected by the sermon as women. I would say, to my surprise, it's more people in middle age who are moved than people who are older.

Talbot: Thank you so much, Rabbi Wenig.

Wenig: Thank you for inviting me.

Talbot: It's a joy to have you here.

Sermon Notes: 

1. Lamentations 5:21

2. A medieval liturgical poem included in the weekly Sabbath service in an Orthodox prayer book, shows us that we may imagine God, even if we cannot see Him. The poem proceeds to describe God as a young man and as an old man:

               I tell thy praise, though I have not seen thee;
               I describe thee, though I have not known thee.

               Through thy prophets amidst thy worshipers
               Didst Thou show forth thy majestic splendor.

               Thy greatness and thy power
               They traced in thy mighty work.

               They imagined thee, not as thou art really;
               They described thee by thy acts only.

               They depicted thee in countless visions;
               Despite all comparison thou art One.

               They saw thee in both old age and young age,
               With the hair of thy head now grew, now black;

               Age in judgment day, youth in time of war...

Daily Prayer book, translated by Philip Birnbaum, Hebrew Publishing Company, New York, 1977, p. 416-7.

3. The term "The Book of Memories" appears in the Unetane Tokef prayer, one of the most important prayers on Rosh Hashanah and Yom Kippur (quoted below), see also Psalm 139:16 for the image of the "book",

               Let us declare how utterly holy is this day...Thou openest the Book of Memories 
               and it reads itself; every person's signature is contained in it.

4. See note 3

5. This list of causes of death is modeled after another portion of the Unetane Tokef prayer (see note 3), "...who by water, who by sword, who by beast, who by earthquake, who by plague..."

6. The Rabbis say that the Shechinah (God's presence) sits at the bedside of an ill person.

7. On the eve of Yom Kippur, Jews light one Yizkor ("Memory") candle for each deceased family member.

8. It is the custom among some Jews to stay awake throughout the night on Yom Kippur.

9. Jeremiah 31:19, quoted in the liturgy for Rosh Hashanah.

10. From the Unetane Tokef prayer (see note 3), "Our origin is dust and dust is our end... But You are King, the everlasting God."

11. Syd Lieberman in "A Short Amidah" imagines sitting in a kitchen drinking schnapps (liquor) with God. Kol Haneshama: Sabbath Eve, The Reconstructionist Press, Wyncote, PA, 1989. p. 184

12. Jeremiah 2:2, quoted in the liturgy for Rosh Hashanah.

13. "What are we? What is our life? What our goodness? What our power? What can we say in Thy presence?" from the liturgy for Yom Kippur (Union Prayer Book II, The Central Conference of American Rabbis, New York, 1962, p.176).

14. Psalm 139 and from the Yom Kippur liturgy,

               Thou searchest the innermost recesses and probest the deepest impulses of the heart. 
               Naught is concealed from Thee nor hidden from Thine eyes.

The Union Prayer Book II, op. cit. p. 224.

15. This melody is the refrain of the short confession on Yom Kippur.

16. Hannah Senesh begins her poem, "To My Mother," with the words, "Where have you learned to wipe the tears?"

17. Robert Browning, from his poem "Rabbi Ben Ezra."

18. From an unpublished poem by Rabbi Chaim Stern.

19. Leviticus 19:2b "You shall be holy, for I the Eternal God am holy." This is part of the scripture reading on the afternoon of Yom Kippur in a Reform synagogue.

20. Proverbs 3:25a, quoted in an Orthodox Jewish prayer book.

21. Ezekiel 16:60, quoted in the liturgy for Rosh Hashanah.

22. Isaiah 46:4, quoted in an Orthodox Jewish prayer book.

23. The Rev. Al Carmines wrote in his song, "Many Gifts One Spirit"

               God of change and glory
               God of time and space
               When we fear the future
               Give to us Your grace.
               In the midst of changing ways
               Give us still the grace to praise.

24. Leviticus 19:32, part of the Yom Kippur afternoon scripture reading in Reform synagogues.

25. Exodus 34:6, central to the penitential liturgy of Yom Kippur.

26. Avinu Malkeinu means "Our Father, Our King." God is addressed this way in one of the most well known litanies recited on Rosh Hashanah and Yom Kippur.
  


 

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